HE, SHE, AND IT by Marge Piercy |
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Cyborgs and the Future of Science The year is 2059, and the world
has experienced several world wars, plagues, famines, ecological distruction, and the
death of over two billion people. This future world is divided among the rich
multinational corporations (multis) and the poor wretched masses (the Glop). In the
corporate enclaves people live within controlled environments protected under domes
designed to shelter inhabitants from lethal UV, pollution , and uprisings from the Glop.
There is also a tightly regulated cultural environment with strong counter-incentives
against anything bordering on personal creativity. Here, the primary goal is to conform to
the self interested designs of corporate management. In sharp contrast is the Glop with
its endemic gang violence, environmental disaster, and deadly disease. With little or no
protection against this deadly environment, life is cheap, violent, and miserable. Here,
the primary goal is escape through something akin to a crack house high -- sensory
artificial reality stimulation (stimmies). Between these two extremes exist the marginal
zones where creativity, culture, and free trade (software defense systems) persist in
spite of the ever present threat of destruction. One of these zones includes the small
city state of Tikva, which is based on "libertarian socialism,"
"anarcho-feminism" and "reconstructionist Judaism." Here, the goal is
to find a plan of defense against the multis, who are bent on destruction of their more
creative competitors. The one thread that connects each of these competing groups is a
highly advanced form of the "Net" and the "intellectual property"
interchanged on it, resulting in an information power struggle.
The central theme of Piercy's novel is that science, though necessary and intellectually stimulating, is not the savior of humanity. The status of the world in 2059 is clearly due, in large part, to the scientific advances of humanity. The scientifically provoked "cyber-riots" (pp. 13, 48) occurred throughout the world as a response of fear that technology would replace humans. The sweeping environmental disasters could not be averted by scientifically informed UN "eco-police." Not only could science not avert the Two Week War, but it actually had enabled the terrorist act which started this "conflagration of biological, chemical and nuclear weapons that had set the oil fields aflame and destroyed the entire [middle east] region" (p. 3). A secondary, and yet equally important theme of this novel is that the distinction of human personhood is sufficiently plastic that it may soon disappear. Not only does the sixteenth century Maharal struggle with this idea, but today the increasing blend of mechanical and biological components in medicine threatens to demolish any distinctions based solely on physical metrics. Not only does humanity no longer inhabit an exalted place in the Piercy's universe, but it is finally defined out of existence.
Piercy's Methods In this novel Piercy continually avails herself of the effect of
complete immersion. From the first page on we are immersed in experiences without
introduction (21st century divorce court, multi culture, the Glop) and with only the
immediately necessary signposts provided. We are drawn into the story by this method
since, by struggling to get our bearings in this bewildering new world, we have a vested
interest in discovering what finally takes place. The unfolding of this story is primarily
achieved through a description akin to headlights on a dark road. We are enlightened about
this world only as we make our way through various events and circumstances that happen to
the central characters in the story. Dialog is one of the most important means for the
revelation of salient points of interest as illustrated by the town meeting discussion of
the personhood of Yod. Further, the power of words is illustrated not only by the creation
of Joseph through incantation, and Yod through program language, but also through emphasis
on hidden meaning in naming of persons, places, and things.
This novel is chock full of 1990's cultural clichés:
"libertarian socialism," "anarcho-feminism" and
"reconstructionist Judaism," not to mention the cyber punk genre stereotypes.
According to The Denver Post review "Piercy adds family and religious
values to the cyberpunk core of multinational corporations and information pirates."
In point of fact, Piercy takes a swag at just about everything that moves in our present
culture and extrapolates these into a vision for the future. Multinational corporations,
traditional values, and the Christian Church are interchanged as the villains of the past
and present. From the onset we are to understand that the "multis" are animated
by "born again ... Christian practices" (p. 2), which includes marriage
motivated by "male dominance" (p. 4). Mindless school children are led through
the streets singing "corporate hymns", and all creativity is suppressed which
includes the imposition of modest dress codes. Consistent with the radical feminism
espoused by Piercy, Malkah chastises Shira for having submitted to male domination;
"Those poison belchers. I told you not to marry him. You're the first in our family
to marry in four generations. It's a bad idea" (p. 7).
Then God said, "Let us make man in our image, in our likeness, and let them rule over the fish of the sea and the birds of the air, over the livestock, over all the earth, and over all the creatures that move along the ground." So God created man in his own image, in the image of God he created him; male and female he created them. (Genesis 1:26-27) There is clearly a need for a sure Word from God who alone can bring life
from the dead and make promises worthy of hope for the future. Then I saw a new heaven and a new earth, for the first heaven and the first earth had passed away, and there was no longer any sea. I saw the Holy City, the new Jerusalem, coming down out of heaven from God, prepared as a bride beautifully dressed for her husband. And I heard a loud voice from the throne saying, "Now the dwelling of God is with men, and he will live with them. They will be his people, and God himself will be with them and be their God. He will wipe every tear from their eyes. There will be no more death or mourning or crying or pain, for the old order of things has passed away." He who was seated on the throne said, "I am making everything new!" Then he said, "Write this down, for these words are trustworthy and true." (Revelation 21:1-4) The power of words is not in the words themselves, but rather in the one expressing those words. Therefore the expression of God's will must be expressed by God himself. The Apostle John was inspired to record the written Word concerning God's will revealed in the personal Word of God. "In the beginning was the Word, and the Word was with God and the Word was God. He was with God in the beginning. Through him all things were made; without him nothing was made that has been made ... The Word was made flesh and made his dwelling among us. We have seen his glory, the glory of the One and Only, who came from the Father, full of grace and truth. (John 1:1-3, 14) Man, more than ever, needs salvation from sin and its consequences which are; separation from God, separation from man (humanity), and separation from nature. Only Christ revealed as the personal Word of God is an adequate Savior.
1. Marge Piercy, He, She and It, (New York: Ballantine Books, 1991) Tim Nordgren, 8-14-96
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